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The gear is put away. The galleries are delivered or almost there. The house is still a disaster and the laundry has been sitting in the dryer for three days, but spring minis are done. There's a particular kind of quiet that settles in once a season wraps, a mix of relief and that wide-open feeling. You're finished, and fall feels like a distant, hazy thing on the horizon.
Here's the truth, friend: if you want to plan fall mini sessions that actually go better than spring did, you don't wait until August to start. That hazy thing on the horizon is the best reason to use this slower stretch well. You use the summer lull to prep your business and your season while there's still breathing room.
We start booking our Christmas minis in July. The fall and Christmas seasons that feel calm and profitable are built on the groundwork you lay now, in the slow weeks, not in the scramble of September.
So let's talk about what to actually do with this post-spring quiet to set your fall season up to win.
Before you look ahead, finish looking back. Spring minis aren't truly done until the files are organized, edited, and delivered, and there's a smart way to handle that part.
Wait one day after shooting before you start your post-processing. Just one. It gives you a little emotional recovery and mental clarity so you're not editing while you're fried.
Then organize everything in a master folder with three subfolders: Capture, Selects, and Output. Capture holds the RAW files straight off your SD card (keep those up to a year as a safety net, then delete them to save space). Selects holds the culled images you import into Lightroom. Output holds the edited final .jpegs you deliver. Name the main folder with date, type, and location, like “2020-09-12 Fall Minis (Adriatica),” and inside, separate by family in shoot order, labeled with Mom's first and last name.
I'm an organization freak, and this system started because when I first began shooting minis it was SO important to me that every photo was easy to find. Every single year, families ask me for photos from last year's session. Without a great system in place, that would be impossible to track down!
One more thing that makes a huge difference: batch the work. Complete ALL your culling first, then ALL your editing, then ALL your deliveries, instead of processing one family start to finish before moving to the next. I cull in Photo Mechanic because it's significantly faster than Lightroom, then I edit and export in Lightroom. And I document the whole workflow in Trello so it stays consistent and a team member could step in if I needed them to.
Once spring is wrapped, the summer lull earns its keep. The boring prep is so much easier to do now, calmly, than mid-October when you're underwater. Here are the four things to handle before busy season hits.
If something can be automated in your business, it probably should be.
Here's what I automate so my client experience runs itself during the busy months: the contract and invoice go out at booking, triggered by a form I fill out. The client questionnaire sends automatically a few weeks after booking. The client experience guide PDF sends automatically. And the final info email sends automatically one week before the session.
Want a simple action step? Write out every step of your client experience on paper. Highlight what could be automated. Then set it up before busy season begins. I use Dubsado for this; Honeybook is also popular if you'd rather start there.
Look at your client experience critically and put yourself in your client's shoes. What do you want to add? What do you want to remove? What has been frustrating for you or for your clients?
If you've been wanting to add a client experience guide, now is the time. Not mid-October. Fix it now so you don't have to sit through three months of frustration with a step you already know needs to change.
Leave intentional blank space in your calendar before fall starts. Just because a date is open doesn't mean it needs to be filled. Overbooking yourself leads to burnout, every time.
My personal boundary during busy season is that I shoot EITHER Saturday OR Sunday each week, never both. The season I started protecting that one weekend day, I was giddy at the end of it. I was like, oh my gosh, I don't feel burnt out. This is amazing!
So write it in right now. Block the dates you're keeping for yourself. Then stick to the boundary.
Hire your editor now. Not in October.
Here's why the timing matters so much. Editors get fully booked during the fall rush. Onboarding, trial edits, and style calibration all take time. And even a VA needs training, which is nearly impossible to do well when you're slammed.
Hire your editor now, friend. I promise you're going to thank yourself.
Prepping your business gets you ready to work. Planning the actual season gets your fall minis on the calendar and booked. My rule of thumb is to plan a season 6-8 weeks in advance, which is exactly why the post-spring stretch is the right time to start mapping fall.
Planning ahead is what changed everything for me when I went from being reactive to intentional. My very first Easter minis were scrambled together without forethought, and that taught me the lesson the hard way: planning ahead is definitely better, because you avoid scrambling.
Here are the five areas I work through for any season.
Review your personal calendar first: vacations, birthdays, family commitments. Then pencil in potential mini session dates for spring, fall, and Christmas around those obligations. The goal is to avoid overbooking yourself before the season even starts.
Plan creative but bookable themes. Don't overthink it or get too experimental. And give yourself time for location scouting and prop gathering, because that part always takes longer than you expect.
Calculate your cost of doing business so your minis are actually profitable. The point is to make sure the time you're investing generates meaningful income, not just a busy calendar.
The way I price is by working out my CODB. List ALL your expenses first: software, gear, props, website hosting, client gifts, marketing. Then calculate the total hours per mini session set, including shooting, travel, editing, client communication, and marketing. Decide your desired hourly rate (I recommend $50/hour minimum). Then the math is simple:
(Total Expenses + Desired Hourly Compensation + Taxes) / Number of Sessions = Minimum Session Price.
One more piece that keeps your whole pricing structure healthy: set your full session price at least double your mini-session price. So if your full sessions are $500, your minis land somewhere around $200-$250.
If you're not sure where to land, my pricing calculator will help you calculate your pricing specific to your expenses and where you live!
Give yourself a 6-8 week pre-promotion timeline, because good marketing takes time. Use multiple channels: your email list, SEO, social media, advertising, and local partnerships. The more runway you give it, the better it works!
Set up automated workflows that maintain your client experience quality. Build the systems once, then let the technology handle the repetitive tasks. Work smarter, not harder.
When it's time to fill those fall dates, start with the audience you actually own: your email list.
Your list holds your warmest leads. These are people that like you, they know you, and they trust you. Compare that to social media, where only about 4% of your followers see any given post. The list wins every time.
So start off by advertising to your email list only. They need some VIP perks! From there, you can go public with the remaining spots.
My structured version of this is a simple four-email booking campaign. A teaser email a few days before launch to build anticipation. A “now booking” email on launch day that gives your list first, early access. An update email two or three days later to convey urgency (“spots going fast!”). And a final push or last-call email before you open booking to the public.
I hear from students all the time who are shocked at how effective this is. They send a couple of emails and book out almost instantly. That's the power of using your list when your clients are warmest.
If growing that list is your weak spot, grab my free guide, 5 Ways to Grow Your Email List (0-100), and start building the audience that books your fall minis for you.
You just ran a whole season. That took real work and real courage, and you did it! The slow weeks after spring aren't the end of your season. They're the runway for your next one.
Wrap up your files, prep your business, map your fall dates, and warm up your email list while there's still room to breathe. That's how fall stops feeling like a scramble and starts feeling like a season you're actually ready for!
For the bigger picture on seasonal mini planning, my tips for planning a full mini session season are a great next read. And when you're ready to advertise, here's when to start advertising fall mini sessions.
If you want the full week-by-week system for every stage of a mini season, from promo shots to public booking day to what to do the days before and after, the Mini Sessions Playbook has the whole thing mapped out at playbook.rebeccaricephoto.com.
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